Seminário de Especialidade em Teoria da Arte (not translated)
Objectives
1) To consolidate de ability to conceive, present and set up an advanced Art Theory research project within History of Arts framework;
2) To strengthen knowledge and the capacity to analyse the ideas and debates that structure the field of Art Theory taking into consideration their articulation with criticism and historiography;
3) To strengthen knowledge and the capacity to analyse the ideas and debates that structure the field of Art Theory taking into consideration their articulation with artistic production and its transformations;
4) To approach Art Theorys main issues and debates considering a broader multidisciplinary field of knowledge.
General characterization
Code
73206107
Credits
10
Responsible teacher
Available soon
Hours
Weekly - 2
Total - Available soon
Teaching language
Portuguese
Prerequisites
n.a.
Bibliography
1. The Art of Art History: A Critical Anthology (ed. D. Preziosi). - Oxford & New York: Oxford University Press, 1998
2. Buck-Morss, S., The Dialectics of Seeing. Cambridge: MIT, 1991
3. A Companion to Art Theory (ed. Paul Smith and Carolyn Wilde). - Oxford & Malden: Blackwell, 2002
4. Didi-Huberman, Devant le temps. Paris: Minuit, 1990
5. Bryson, N., Holly, M.A, Moxey, K. (eds.), Visual theory. New York: Harper Collins, 1991
6. Eagleton, T., The ideology of the aesthetic London: Blackwell, 1990
7. Foster, Hal (ed.), The Anti-Aesthetic: Essays on Postmodern Culture. Seattle: Bay Press, 1993 [1983]
8. Iversen, M., Melville, S., Writing art history: disciplinary departures. Chicago: University of Chicago Press, 2010
9. Harrison, Ch., Wood, P., Gaiger, J. (eds.), Art in Theory 1648-1815: An Anthology of Changing Ideas. London: Blackwell, 2001
10. Harrison, Ch., Wood, P., Gaiger, J. (eds.), Art in Theory 1815-1900: An Anthology of Changing Ideas. London: Blackwell, 1998
11. Harrison, Ch., Wood, P. (eds.), Art in Theory 1900-2000: An Anthology of Changing Ideas. London: Blackwell, 2003
12. Marin, L, On Representation, Standford Univ. Press, 2001
13. Rancière, J., Estética e Política: A Partilha do Sensível. Porto: Dafne, 2010
Teaching method
Apart from a couple of introductory lectures given by teacher, the course has a seminar-profile that involves the analysis and discussion of pre-appointed texts by the students, and of the thematic essays written by them on courses contents and their intersection with the specific area of study chosen by each student (the essay has 18-20 pages).
Evaluation method
The assessment of this course is based on 2 elements:
1) the final written essay (50%)
2) the presentation and discussion of pre-defined texts in the seminars, as well as the presentation and discussion of the written essay (50%)
Subject matter
1) Art Theory within History of Art.
2) Art Theory in its articulation with criticism and historiography.
3) Art Theory in its articulation with artistic production and its transformations.
4) Art Theorys main issues and debates considered in an interdisciplinary framework.