Musical Theory and Analysis - 1300 to 1600 - 2nd semester

Objectives

General characterization

Code

711021073

Credits

6

Responsible teacher

Docente a definir

Hours

Weekly - 4

Total - Available soon

Teaching language

Portuguese

Prerequisites

None.

Bibliography

ATLAS, Allan (ed.), Anthology of renaissance music, New York, Norton, 1998
ATLAS, Allan, Renaissance music, New York, Norton, 1998
GAULDIN, Robert, A practical approach to sixteenth-century counterpoint, Prospect Heights, Waveland Press, 1995
HOPPIN, Richard, Medieval Music, New York, Norton, 1978
MORAIS, Manuel, «O tactus ou compasso» in Vilancetes, Cantigas e Romances do século XVI, Portugaliae Musica XLVII, Lisboa, Fundação Calouste Gulbenkian, 1986, pp. xxviii-xxxvii
POWERS, Harold, «Mode» in The New Grove dictionary of music and musicians, ed. Stanley Sadie, 2nd ed., 29 vols., London, Macmillan, 2000
REESE, Gustave, Music in the Renaissance. New York, Edward J. Dent, 1954
TARUSKIN, Richard, Music from the earliest notations to the sixteenth century, Oxford History of Western Music, vol. I, Oxford University Press, 2010

Teaching method

Evaluation method

Subject matter

Programs

Programs where the course is taught: