Musical Theory and Analysis - 1300 to 1600 - 2nd semester
Objectives
General characterization
Code
711021073
Credits
6
Responsible teacher
Docente a definir
Hours
Weekly - 4
Total - Available soon
Teaching language
Portuguese
Prerequisites
None.
Bibliography
ATLAS, Allan (ed.), Anthology of renaissance music, New York, Norton, 1998
ATLAS, Allan, Renaissance music, New York, Norton, 1998
GAULDIN, Robert, A practical approach to sixteenth-century counterpoint, Prospect Heights, Waveland Press, 1995
HOPPIN, Richard, Medieval Music, New York, Norton, 1978
MORAIS, Manuel, «O tactus ou compasso» in Vilancetes, Cantigas e Romances do século XVI, Portugaliae Musica XLVII, Lisboa, Fundação Calouste Gulbenkian, 1986, pp. xxviii-xxxvii
POWERS, Harold, «Mode» in The New Grove dictionary of music and musicians, ed. Stanley Sadie, 2nd ed., 29 vols., London, Macmillan, 2000
REESE, Gustave, Music in the Renaissance. New York, Edward J. Dent, 1954
TARUSKIN, Richard, Music from the earliest notations to the sixteenth century, Oxford History of Western Music, vol. I, Oxford University Press, 2010
Teaching method
Evaluation method
Subject matter