Artistic Seminar 1
Objectives
Available soon
General characterization
Code
722021028
Credits
10.0
Responsible teacher
Isabel Maria Antunes Pires
Hours
Weekly - 3
Total - 280
Teaching language
Portuguese
Prerequisites
Available soon
Bibliography
GUILLAUME, P. (2005) Acoustique et musique: de l'instrument à l'ordinateur. Paris. Hermès Science, Lavoisier.
HENRIQUE, L. (2002) Acústica Musical. Lisboa. F.C. Gulbenkian.
MARSHALL, L. (2006) Architectural Acoustics. Amsterdam. Elsevier.
ROSSING, T.D. (1990) The Science of Sound, Boston. Addison-Wesley.
HELLER, E.J. (2012). Why you hear what you hear: an experiential approach to sound, music and psychoacoustics. Princeton, NJ: Princeton U. Press.
DEAN, Roger T. (2009) The Oxford Handbook Of Computer Music, NY, Oxford University Press
BOULANGER, R. C. (2000) Csound Book. Cambridge. MIT Press.
BREGMAN, A. S. (1990) Auditory Scene Analysis, Cambridge. MIT Press.
DODGE, C. JERSE, T. A. (1985) Computer music, synthesis, Composition, and Performance. NY . Schirmer Books.
MANNING, P. (2004) Electronic and computer music. NY. Oxford U. Press.
McADAMS, S., BIGAND, E. (1994) Penser les sons, psychologie cognitive de l’audition, Paris. PUF.
ROADS, C. (1996) The Computer Music Tutorial. Cambridge
Teaching method
Available soon
Evaluation method
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Subject matter
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