History of Music

General characterization

Prerequisites

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Bibliography

*BORNOFF, Jack (1972). Music and the Twentieth Century Media, Florence: International Music Council.
*CHANDLER, Alfred D. (2005). Inventing the Electronic Century: The Epic Story of Consumer Electronics and Computer Industries. Cambridge: Harvard University Press.
*COOK, Nicholas (1998). Analysing Musical Multimedia, Oxford: Oxford University Press.
*GITELMAN, Lisa (1999). Scripts, Grooves, and Writing Machines: Representing Technology
in the Edison Era. Stanford: Stanford University Press.
*GOTTLIEB, Gary (2007). Shaping Sound in the Studio and Beyond: Audio Aesthetics and Technology, Boston: Delmar.
*HUGILL, Andrew (2008). The Digital Musician, New York: Routledge.
*MIDDLETON, Richard (2006). Voicing the Popular On the Subjects of Popular Music, New York: Routledge.
*MILNER, Greg (2009). Perfecting Sound Forever: The Story of Recorded Music. London: Granta.
*MOORE, Adrian (2016). Sonic Art, An Introduction to Electroacoustic Music Composition, New York: Routledge.
*MORTON Jr., David L. (2004). Sound Recording: The Life Story of a Technology. Baltimore: The John Hopkins University Press.
*RABINOVITZ, Lauren & GEIL, Abraham [Ed.] (2004). Memory Bytes: History, Technology and Digital Culture. Durham: Duke University Press.
*ROADS, Curtis (2015). Composing Electronic Music: A New Aesthetic, Oxford: Oxford University Press.
*SCHAEFFER, Pierre (1966). Traité des Objects Musicaux. Paris: Éditions du Seuil.

Teaching method

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Evaluation method

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Subject matter

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Programs

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