Musical Theory and Analysis - 1815 to 1890
Objectives
Available soon
General characterization
Code
711021062
Credits
6.0
Responsible teacher
Luísa Mariana de Oliveira Rodrigues Cymbron
Hours
Weekly - 4
Total - 168
Teaching language
Portuguese
Prerequisites
Skills in harmony and couterpoint are recommended.
Bibliography
AGAWU, Kofi, Music as Discourse. Semiotic Adventures in Romantic Music, Oxford , OUP, 2008.
BYRNE, Lorraine, Schubert´s Goethe Settings, Ashgate, 2003.
Cook, Nicholas, A Guide to Musical Analysis, Oxford, Oxford University Press, 1987
Parker, Roger, “‘Insolite forme’ or Basevi’s Garden Path” in Leonora’s Last Act. Essays on Verdian Discourse, Princeton, Princeton University Press, 1997, pp. 42-60.
Parsons, James (ed.), The Cambridge Companion to the Lied, Cambridge, Cambridge University Press, 2004.
Powers, Harold, “La solita forma and the uses of convention”, Nuove Prospettive nella Ricerca Verdiana, Parma/Milão, Istituto di Studi Verdiani/Ricordi, 1987, pp. 74-109.
Rosen, Charles, The Romantic Generation, Harvard, Harvard University Press, 1995 (trad. portuguesa A Geração Romântica, S. Paulo, Edusp, 2000).
Tusa, Michael, “Euryanthe” and Carl Maria von Weber’s Dramaturgy of German Opera, Oxford, Oxford University Press, 1991.
Teaching method
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Evaluation method
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Subject matter
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