Management and Art Project Production
Objectives
Present the different phases of work and areas of intervention for carrying out
exhibition projects; provide the necessary tools to achieve them.
General characterization
Code
722061090
Credits
10.0
Responsible teacher
Maria Emília Moreira Tavares Samora Batista
Hours
Weekly - Available soon
Total - 280
Teaching language
Portuguese
Prerequisites
Available soon
Bibliography
AA. VV., <Curating: The Contemporary Art Museum and Beyond>, Art & Design Special Issue, 1997.
AMBROSE, Thimothy and PAINE Crispin, Museum Basics, ICOM, 1993.
BAKER, Emma, Contemporary Cultures of Display, Yale University Press, New Haven and London, 1999.
BALTIC, The Producers. Contemporary Curators in Conversation, ed. Baltic, New York, 2002.
BELCHER, Michel, Organización y diseño de exposiciones. Su relación con el museu, Gijon, Trea, 1997.
BARKER, Emma, Contemporary Cultures of Display, Yale: Yale University Press, 1999.
CANNON-BROOKES, Peter. «Le transport des œuvres d’art : diversifier les stratégies», Museum International, vol. 47, nº 186, p. 55-59.
CRIMP, Douglas, <The Art of Exhibition> in On the Museum’s Ruin, Cambridge (Mass.), 1993.
CRIMP, Douglas, <This is not a Museum of Art> in On the Museum’s Ruin, Cambridge (Mass.), 1993.
DEAN, David, Museum Exhibition. Theory and Practice, London, Routledge, 2001.
Teaching method
Detailed presentation of the listed themes, accompanied by PowerPoint and
iconography. Each chapter will be illustrated with practical examples.
Evaluation method
Método de Avaliação - The assessment is made through interventions in class(40%), and the work to be delivered at the end of the semester(60%)
Subject matter
PRE-PRODUCTION
a) First steps of the producer / manager
b) Budget and planning maps
c) Support and sponsorship
d) Physical conditions of spaces
e) Characteristics of the works
PRODUCTION AND ASSEMBLY
a) Type of production
b) Display type
c) Works: Type of works, loan applications and contracts, insurance, transport and
reception of works of art, security and surveillance, maintenance
d) Catalog: Phases of production and actors
e) Other materials to be edited
f) Image of the exhibition / event and its communication, promotion, dissemination
and marketing
g) The press - advertising campaign and press-release
h) Assembly
i) Inauguration
DISASSEMBLY AND POST-PRODUCTION
a) Disassembly, discipline and method in disassembly, return of works
b) Post-production, the task of the producer / manager does not end with the end of the exhibition